January 23, 2012

Gin Night at the Meadows

Gin card: In poker, a card that gives two players strong but different hands. Usually, one player will make the strongest possible hand (often referred to as the "nuts"), while the other player will make a very strong but losing hand (e.g., a card gives one player a flush and another player a straight or smaller flush, or one player makes quads while another player makes a full house).* Alternatively, getting the specific card(s) one needs to make one's hand (e.g., hitting a set or an inside straight draw).


Last week, I made my Ali-like return to the Meadows ATM, where I hadn't played in several months. But, my buddy Santa Claus was in town for work, so we met up for Jethro's BBQ and some poker. After stuffing myself with smoked brisket, pulled pork, and andouille sausage, it was off to the Meadows poker room.

The crowd was typical for a Wednesday night, with eight or nine tables in action for the mid-week tournament. Santa and I had to wait only a few minutes before getting into a new $1/$2 NLHE cash game with several tournament bustouts. Seat selection is a key skill for poker success, so I made the important strategic decision to sit in the 3 seat. Santa, however, unwisely chose the 2 seat.

The game started rather tight, typical for a mid-week game. After a couple of orbits, I found As5s in the big blind. Shockingly, a bunch of us all limped. The flop was junky with a couple of hearts and one spade. A bad player two to my left bet $10, and I called along with the hijack, thinking my Ace might be live and figuring I could represent the flush if a heart hit. The turn was a big spade, giving me the backdoor flush draw. I checked, bad player bet $25, hijack called, and I called. River was a baby spade. Gin! I bet out $50, bad player called, and hijack folded. I rolled over the nuts and hilarity ensued. My opponent stared at the board and my hand, then commenced angry, non-stop muttering until he busted out a few hands later. As Dusty Schmidt says, "Just like in the porn industry, you need to backdoor it if you really want to get paid."

An orbit later, I was back in the blinds. A couple of aggressive guys who had busted out of the tournament had joined the game. Most of the table limped preflop, and I closed the action checking my option with JTo. The flop came down 9-8-3 rainbow. I checked, aggro guy in middle position bet $10, aggro in hijack called, and I called. Turn came a Queen. Gin! Believing in the theory that the best way to get money in the pot is to put money in the pot, I led out with a $25 bet. I was hoping to get one caller. Instead, first aggro guy raised to $50, then the next aggro guy pushed all-in for roughly $150. With the action back on me, I paused a moment, trying to figure out what was going on. The turn had put a backdoor flush draw on board, but I had one of that suit, so I couldn't be up against a freerolling straight with a flush redraw. I decided the worst case for me was to be dodging a flush draw and a set, and there's no way I could fold the current nuts even though those draws were live. The other guy had roughly $200 left behind, and I decided if he could call the current raise, he could call my push. So, I pushed, and he snap-called. I rolled my hand, and both opponents rolled over ... Q-9 for top two pair. Ruh roh Rooby! That's about as good as I could hope for. Variance was kind, and the river rolled off a blank. I scooped a nice pot, and a few hands later, racked up and cashed out with a tidy profit.

Santa, meanwhile, stuck to his silly Seat 2 strategy. I headed home to celebrate Gin Night:





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* I've used the term "gin card" for years, as have several of my poker buddies. Interestingly, I was unable to find a definitive origin for the phrase, but did find several references going back to 2006 using the term, including United Poker Forum (May 2007), Full Contact Poker (August 2007), Two Plus Two (September 2009) (though the forum archives reference the term much earlier in strategy posts dating back at least to 2006), Poker News (November 2009), and the Durrrr Challenge website (December 2010).

The earliest reference I could find was in the Two Plus Two archives where there is discussion in 2005 about a blog post by Daniel Negreanu where he reports hitting his "gin card" and losing:

From his blog he says, "The flop came A-A-10 and I was pretty sure that my opponent had A-K, K-K, Q-Q, or maybe even AA or JJ. He checked and I checked. The turn was my gin card, an 8. Or not... the dude had four aces! Goodbye."

In any event, although the exact moment where "gin card" crossed over into the poker lexicon is probably lost to the mists of time, I think it's safe to say the phrase probably came into vogue sometime around the Moneymaker boom.





January 17, 2012

You Might Be the Sucker If ...

"Listen, here's the thing.  If you can't spot the sucker in the first half hour at the table, then you ARE the sucker."

~Mike McDermott (Matt Damon), in Rounders

I don't have an official trip report for my holiday hit and run in Vegas, but there were a few random amusing moments that are worth sharing. So, with apologies to Jeff Foxworthy ... no wait, he made millions with his redneck schtick, so screw him. Herewith is my first installment of what is likely to be a running theme:

You Might Be the Sucker If ...

The players send a car and driver to pick you up at the airport.  We've all seen the hordes of limo drivers at the Vegas airport, many sent by the casinos to pick up their whales. But no casino is sending a car for a poker player, at least one who doesn't have a big craps or blackjack monkey on his back. I certainly will never be looking to gamble enough to get even the most desperate casino host to give me so much as cab fare.

So imagine my surprise when, after being stuck in airports for 16 hours due to storm delays, I landed in Vegas at midnight and discovered a chauffeur waiting for me with instructions from a group of poker players to take me directly to the Palms poker room for the Pokerati NLHE/PLO game. Though I would normally have drug my jet-lagged behind directly to bed ... Oh who am I kidding? I love me some Pot Limit Gambooool! So if a bunch of Vegas vultures need a chip-spewing lagtard, well I'm their huckleberry!



You think an overpair is a good PLO hand.  The Pokerati game was in fine form, with a nearly full table when I arrived. Now, I'm not a PLO wunderkind by any means, but I've done some reading* and played fairly regularly on Vegas trips the past two years, so I can hold my own at the low-stakes tables. The Pokerati game had at least four players who made basic, newbie errors, most notably failing to adjust hand values to account for the differences between Omaha and Hold 'Em. Bread and butter Hold 'Em showdown hands—say, overpairs, two pair, trips—are rarely more than bluff catchers in Omaha. Yet time and time again several players got it all-in with those kinds of hands, often on the flop or turn, only to be mowed down by strong Omaha hands—wraps, wraps with redraws, sets with backdoor flush draws, etc.

So, I bided my time, playing tight in Hold 'Em, loosening up in Omaha, licking my chops. In three big hands, I got my money all-in with the nuts or a monster draw against weaker made hands or non-nut draws, each time raking in a healthy pot. My biggest hand of the night came when I played a run-down hand (Q-J-9-8 with one suit) on the button against an early position pot-raise and a late position re-pot raise. I figured I was up against A-A-x-x and another big pair (probably K-K-x-x), which made my hand easy to play postflop. The flop was perfect: J-T-8, though there were two of a suit other than mine (I did have a backdoor emergency flush draw). I had the nut straight, plus two pair (more useful for blocking full houses than making one), and my Jack made top set unlikely. Early position player bet, late position player raised, giving me some pause. Although I had the current nuts, my opponents could easily have draws to better straights or flushes. Still, they were prone to overplaying hands, and the pot was too large for me to fold at that point. So we got it all-in right there, and my hand held up. One player had A-A-rag-rag without any flush or straight draws, while the other player mucked without showing, letting me drag a $500+ pot. Thank you, come again!

You have to ask the rules to the game before you buy-in.  While I was luckboxing a nice stack, a young guy walked into the room. By this point, it was nearly 3:00 a.m. and we were the only game running. My seat was within an arm's length of the counter, so I overheard the manager explain that we were playing a NLHE/PLOT mixed game. Then, I just about did a Snoopy Dance:



The young guy actually asked how to play Omaha! Then, he bought in for $300! Being the seasoned veteran I am, I simply wiped the drool from my chin and made sure the seat to my right was open. My dreams of stacking the newbie were dashed, however, as he won some pots at Hold 'Em, but then put his chips on virtual lockdown during the Omaha rounds. Disappointed and being overcome with travel fatigue, I decided to put my profits (just over $1,200) on lockdown as well, and went to cashout. Imagine my surprise when I turned around moments later and saw Poker Grump scooping all the kid's chips in a hand of Hold 'Em! Well, it was mighty sporting of the Grump to protect the kid from learning Omaha the hard way.

You don't know how blinds operate.  On day two of my trip, I moved to the Caesars Palace poker room to rack up some Total Rewards tier points on my mission to hit Platinum status. I was seated at a new table, and immediately began making money off of several weak players. I was eventually joined by friends Grump and Carol (a/k/a "the Black Widow of Poker", or CKBWoP for short), who smelled blood in the water. Two young players were in the game at various points, neither of whom had the first clue how to play poker in a live setting. One sat on my immediate right, and constantly inquired whether it was his blinds, and if so, how much to post. Neither player could figure out elementary betting techniques such as how to raise. Not surprisingly, both players donated several buy-ins to the game. Honestly, I thought players like this were nearly extinct! I will definitely need to put Caesars back in my Vegas rotation.

You try to bluff a calling station.  During my Caesars' session, there was one older gent with a vaguely European accent who invested several buy-ins before going on a heater and luckboxing his way to a big stack. During his entire time at the table, he was a textbook ET (an uber-calling station), calling down with any pair, any draw. So what brilliant strategy did I employ to get his chips? Yes, I raised with 98 sooooted on the button preflop, then fired three barrels at a scary board that did not improve my hand. Of course, ET called me all the way down with flopped second pair, because that's what he does. Huckleberry redux. Sigh.

Orel Hershiser buys you a martini—with your money.  This hand actually occurred during my WPBT trip earlier in December, but it fits well with the theme of this post. I had busted out of the Aria tournament and joined Carol at the $1/$3 PLO table to kill some time before dinner at CarneVino. A couple of hours into my session, I was treading water when Orel Hershiser sat down on my right. For a guy who was an MLB Cy Young winner, League MVP, and World Series MVP during a pretty illustrious career, Hershiser was surprisingly friendly and down-to-earth.  Hershiser is a solid amateur poker player as well, known for making the final eight in the NBC Heads Up Poker Championship in 2008, and rumored to be a regular at the mid-limit cash game tables. Our baby game was clearly just a recreational activity for Hershiser, who seemed to be using the game both to relax and to try out some PLO tactics.

Hershiser was playing fairly loose, but he clearly knew what he was doing and didn't put big money in the pot without a quality Omaha hand. Like any Omaha player, Hershiser stuck around with some marginal hands and won some nice pots when his more improbable draws hit, but he was certainly playing well.  My stack was around $350 when I found K-K-Q-T single-suited on the button. I three-bet it and we both saw a flop of J-T-2 rainbow with one of my suit. Herhsiser checked, I bet, and Hershiser moved all-in. I thought a bit, then decided his aggressive style merited a call. Hershiser showed K-J-9-2, also with a backdoor flush draw. Not the greatest hand for me to see, but I was alive. Then the turn came another deuce, giving Hershiser the baby boat and leaving me on life support, drawing to the case King. The river was the case duck, naturally, just to twist the knife with dangler quads.

I stared at the board a few seconds, then declared I was done for the night. Hershiser was still raking in the pot. He saw me stand up, and immediately turned and handed me three red chips from the stacks that only seconds before had been in front of me. In a completely sincere manner, Hershiser said:

"Here, let me buy you a drink! Have a great night!"

Let me tell you, I savored that free $335 martini.

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* For those who want to improve their Pot Limit Gamboooool game, I highly recommend this set of four books by Jeff Hwang (available in paperback or Kindle editions):

Pot-Limit Omaha Poker (a great introductory strategy book)
Advanced Pot-Limit Omaha I: Small Ball and Short-Handed Play
Advanced Pot-Limit Omaha II: LAG Play
Advanced Pot-Limit Omaha III: The Short-Handed Workbook

Now maybe I should make time to read them again ....

January 03, 2012

A Bad Case of Earworms:
The 25 Greatest TV Theme Songs

Last night, I came down with a bad case of earworms. I blame Poker Grump.

It started innocently enough. I got into a semi-spirited Twitter debate with Poker Grump and a motley assortment of misfit toys regarding what TV theme song was the best ever. I advocated for “Hawaii Five-O”, but the Twitterverse spit out a ton of intriguing alternatives. I was inspired by the debate to challenge Poker Grump to post our Top 25 TV theme songs simultaneously for criticism and frivolity (Grump’s list is cross-posted here). There really is no underlying wager to settle or winner to be determined, although I assume I will emerge victorious in the court of public opinion ….

Since Poker Grump accepted the challenge, things have taken an ugly turn, with several dozen TV theme songs running through my head non-stop for the past 24 hours. I started by listing TV theme songs off the top of my head, then searched iTunes and online lists (see here and here) for ideas of songs I had overlooked. Then, I started plugging in the obvious top songs and knocking out the obvious misfits until I had my list. The process was harder than I had anticipated; there was a lot of handwringing over the final fifteen spots, and I found myself having to make some tough cuts of songs I had assumed were locks for the Top 25. Obviously there’s a large element of “eye of the beholder” in play when judging the “best” TV theme songs, but there are a few criteria I tried to use to sort out my list:

  • Did the theme song set the mood and/or provide background for the show?
  • Was the theme song an earworm? When the song comes on, do you find yourself humming, whistling, and/or singing along?
  • Was the theme song for a show I regularly watched, and/or which was widely popular?
  • Has the theme song crossed over into popular culture—e.g., is the song used in other TV shows or commercials, or otherwise parodied, sampled, quoted, and/or referenced in pop culture?

So, without further ado, here's the list (in traditional inverse order) (where I couldn't find a different, "official" title, I went with "Theme from ________" as a default song title):

25.  L.A. Law / “Theme from L.A. Law (instrumental)” by Unknown:  Ripped off by a dozen law dramas since.

24.  Bones / “Theme from Bones (instrumental) by The Crystal Method:  Suspenseful, yet strangely scientific. Perfect fit for the show.

23.  Monk / “It’s a Jungle Out There” by Randy Newman:  Neurotic and playful. You had to see the series to get the song.

22.  The X-Files / “Theme from the X-Files (instrumental)” by Mark Snow:  Eerie mood-setter for a paranormal conspiracy show.

21.  Rawhide / “Rawhide” by Ned Washington & Dimitri:  None of us remember watching this show, but thanks to the Blues Brothers, we can all sing it. Rollin’, rollin’, rollin’, keep them doggies rollin’ …

20.  The Muppet Show / “Theme from the Muppet Show” by Jim Henson & Sam Pottle: Catchy tune, and they played weekly games with the opening credits years before The Simpsons.

19.  The Addams Family / “The Addams Family Theme” by Vic Mizzy:  Oh snap! Snap!

18.  The Flintstones / "Theme from The Flintstones" by Hoyt Curtin:  It's a good time, a yabba, dabba, doo time, it's a gay, old time!

17.  Hill Street Blues / “Theme from Hill Street Blues” (instrumental)” by Mike Post:  Soft piano, soaring strings, good for a hankie before the first commercial.

16.  Batman / “Batman Theme” by Neal Hefti:  Perfect superhero theme. Great hook, greatly sampled and parodied.

15.  Star Trek: The Next Generation / “Theme from Star Trek: The Next Generation (instrumental)”:  The essence of pure space adventure.

14.  The A-Team / “Theme from the A-Team (instrumental)” by Mike Post:  Just a kick-azz theme song for a bunch of guys who kicked azz every week.

13.  Family Feud / "Family Feud Theme Song (instrumental)" by Unknown:  Easily the most recognizable game show theme of my lifetime.

12.  Happy Days / “Happy Days” by Pratt & McClain:  How better to make the mid-70s to early 80s feel like the late 50s?

11.  The Brady Bunch / “Theme from The Brady Bunch” by Sherwood Schwartz:  What color hair did the girls have? Now try to stop singing. ‘Nuff said.

10.  Gilligan's Island / “The Ballad of Gilligan’s Island” by Sherwood Schwartz & George Wyle:  What was the name of the ship? How many hours was the cruise? Now try to stop singing. ‘Nuff said.

9.  The Beverly Hillbillies / “The Ballad of Jed Clampett” by Paul Henning:  Someone says, “Bubblin’ crude.” You say, “Oil that is. Black gold. Texas tea.” Now try to stop singing. ‘Nuff said. Plus, there’s the Neal McCoy homage, “Hillbilly Rap”, where he takes “bubblin’” to new heights.

8.  Dallas / “Theme from Dallas (instrumental)” by Jerrold Immel:  Big musical theme to introduce big hats, big hair, and big stars.

7.  Mission: Impossible / “Theme from Mission: Impossible (instrumental)” by Lalo Schifrin:  Possibly the most ripped off TV theme song riff. That's a huge compliment.

6.  M.A.S.H. / “Suicide Is Painless (instrumental)” by Johnny Mandel:  A moody intro for a black comedy about war. Couldn’t argue if someone wanted to move this up a few spots.

5.  Miami Vice / “Theme from Miami Vice (instrumental)” by Jan Hammer:  This was a groundbreaking show for kids my age, and really ushered in a new style of TV show, with pop music soundtracks, fast paced / jump cut editing, and an emphasis on style over exposition. The song perfectly conveys the energy and excitement of both Miami and a cop show.

4.  The Dukes of Hazzard / “The Dukes of Hazzard” by Waylon Jennings:  One of my favorite childhood shows, and the catchy song perfectly encapsulates the essence of a couple of Southern good ‘ol boys fighting against the man and having a good ‘ol time.

3.  The Jeffersons / “Movin’ On Up” by Ja’net Du Boise & Jeff Barry:  Catchy gospel-inspired tune with some important cooking advice—“Fish don’t fry in the kitchen, beans don’t burn on the grill.” I dare you to find a person who doesn’t tap their feet and sing along to this one!

1. / 2.  Cheers / “Where Everybody Knows Your Name” by Gary Portnoy:  Look, it’s a song about drinking with friends at a bar, it’s a song you can sing with your friends at a bar, and the show is about a bunch of friends who hang out at a bar. Oh, and it’s impossible to get out of your head. Hard to top.

2. / 1.  Hawaii Five-O / “Theme from Hawaii Five-O (instrumental)” by Morton Stevens: The opening drums leading into the horn power riff, juxtaposed over images of huge surf waves. Perfection!

ADDENDUM (4 January 2012):  Mea culpa. I should have kept the courage of my convictions. Hawaii Five-O is perfection, and must be placed in its rightful Numero Uno position. Just take a look at this Brian Setzer Orchestra live performance posted by Lucki Duck over on his blog, Small Potatoes Poker & Sports Betting:



Honorable Mentions (a/k/a TV theme songs that made my initial list but didn’t make the cut):

All In the Family:   Iconic, but honestly, the show is no longer a cultural touchstone the way Cheers or the other shows are, particularly to people under 50. It’s the War & Peace of TV theme songs; everyone is supposed to remember it and revere it, but most people couldn’t sing a line from the song or relate a classic scene from the show.

Cool theme songs, but the shows are largely forgotten (you might know a scene or two, but characters? Episodes? Memorable quotes? Come on, now!):  SWAT, Barney Miller, Bonanza, Laverne & Shirley, Taxi.

Good theme songs, but just not as good as others in their genre:  WKRP in Cincinnati, Night Court, Charlie's Angels, Law & Order, Seinfeld, Psych, South Park, Entourage, The Simpsons, Magnum P.I.

Overly sappy / cringe-inducing theme songs (memorable doesn’t mean good):  Sesame Street, The Greatest American Hero, The Golden Girls, Mr. Rogers’ Neighborhood.

Radio hits masquerading as TV theme songs:  Dawson’s Creek, Friends, Party of Five.

So, which songs did I get right? Where did I botch it horribly? What is your top five? What TV theme song did I utterly overlook? Comments are open!!

Corn earworms (image source).

December 29, 2011

The Feeling of Silence

“Silence is a source of great strength.”

~Lao Tzu

The fear started in July. I was back home in rural Nebraska to watch my parents serve as grand marshals of our hometown parade. My younger brother Kurt was home as well, with his wife Nicole and their two young daughters, Lily and Violet.* Kurt and I drove our parents down Main Street—all three blocks of it—while my sig other Chad helped Nicole watch my nieces wave at Grandpa and Grandma before gathering up candy thrown from the floats. Then we retreated from the sweltering 110 degree heat to enjoy a few beers in the air-conditioned comfort of our childhood home.

We talked for hours, catching up on local news, hearing plans for the farm, and reliving old family memories, while Lily and Violet played with the cornucopia of toys Grandpa and Grandma had purchased just for their visit. My nieces and parents all eventually made their way to bed, while the rest of us stayed up to talk. It was then, nearing midnight, that Kurt and Nicole shared with us their concerns about Violet. She was nearing 16 months old, but was small for her age and having trouble walking. A physical therapist was making twice weekly visits to work on Violet's balance and strength, but her lack of progress was worrisome. Yet, Violet otherwise seemed to be a healthy and happy young girl. It was probably nothing to worry about. Still, I worried, and I'm sure Kurt and Nicole worried even more.

The phone call came in November. But it was the voicemails that caused me concern. Kurt and I often go a few weeks without talking, then catch up with a lengthy call some evening or weekend. But the first week of November was different. Kurt and I exchanged messages as usual, but he called me mid-day to give me specific times to call him back. There was definitely something on his mind. So, I made the call that evening.

Part of the news was good. Kurt, Nicole, and my nieces were all doing fine. In fact, Violet had even been walking unassisted for a few weeks. Just that night she had made it all the way down the hall from the dining room to the living room on her own, under the watchful eyes of Buffy and Porter, the family dogs.

Unfortunately, most of the news was bad. Kurt and Nicole had for some time harbored concerns about Violet's slow development. Their fears dated back to Nicole's pregnancy, when Kurt had come down with a serious cytomegalovirus (CMV) infection. In most adults, CMV infection has few or no symptoms, while for a few people (like my brother) the virus causes symptoms similar to mononucelosis, causing fatigue for a period of several days to a few weeks. In pregnant women, however, CMV is the "C" in TORCH—the set of infectious diseases responsible for many birth defects. CMV is a particularly nasty virus for infants, leading in many cases to physical and mental developmental deficits, while also causing blindness or deafness in some victims. Still, in utero CMV infection does not always lead to problems for the child, and in a decent percentage of cases, the child goes through life with few or no problems related to the infection.

Violet was not among those fortunate enough to roll the dice and beat CMV. Although Violet had passed her hearing and vision tests at birth and had begun walking, she had yet to start talking or even babbling. Violet went in for a battery of diagnostic tests. Hearing tests raised concerns about compromised hearing. Sleep studies indicated either seizures (a common CMV complication) or a constricted throat (due to Violet's small size) were affecting her ability to sleep. An MRI of the brain revealed calcified lesions consistent with an in utero CMV infection. Still, nothing could be known definitively.

Surgery was scheduled for a few days after Christmas. The main purpose of the surgery was to remove the adenoids that were constricting Violet's throat, to help her breathe better during sleep. However, the surgery was also an opportunity to conduct a more sophisticated hearing test that required an infant to be partially sedated. The surgery was successful, and Violet was taken to recovery to awaken and be taken home that afternoon.

The otolaryngologist (ENT specialist) approached Kurt and Nicole. "Let's go into the conference room and talk," he said.

Nothing good ever follows that invitation.

The doctor was kind, but didn't sugarcoat the news. Violet is completely deaf. Her cochlea are non-functional. Deafness is an unfortunately all too common effect of CMV infection, sometimes apparent at birth, often developing before age 5, occasionally waiting to strike even into the teenage years. Violet is yet another CMV victim.

Medically, options are limited. Insurance requires that hearing aids be tried, even when doctors know they are useless. Cochlear implants are an option, but they tend to work better for people who have had hearing for a number of years and then lost it, while having poorer results for people like Violet who develop deafness early in life. Violet has been learning sign language for a few months, but my brother and sister-in-law face a difficult decision whether to pursue her education in a deaf or a mainstream, auditory environment.

Upon hearing the news, my initial feeling was sadness. Sad that Violet will never hear birds chirping on a hike with her family. Sad that Violet will never hear Buffy and Porter bark when she comes home from school. Sad that Violet will never hear the roar of a crowd, or the whispered sweet nothings of a boyfriend. Sad that Violet will travel alone in an auditory world.

I'm also afraid. Afraid Violet won't hear a smoke alarm or a car horn. Afraid Violet's education will be stunted by the communication barrier. Afraid Violet will face social isolation.

But, after further reflection, I'm also thankful. Thankful my brother is able to support his family and allow Nicole to leave her job to be at home with Violet. Thankful government programs exist to provide physical and cognitive therapy, and eventually educational opportunities. Thankful Violet has an extended family—two sets of grandparents; an aunt, uncle, and cousins in town; and even this more distant uncle—to provide love and support.

Mostly, though, I'm hopeful. Hopeful that medical science will provide Violet with some degree of hearing, whether now or a decade from now. Hopeful that Violet has escaped other physical or mental impairments that so often afflict infants with CMV. During my Christmas visit, I saw a girl who was climbing on chairs, playing with toys, serving fake coffee to her Grandpa and Grandma, and imitating her big sister, just like any other girl her age. Violet's deafness is something no parent would want for their child, yet, in the grand scheme of things, deafness is a disability that can be dealt with. There are plenty of parents who would gladly accept deafness for their child if doing so would cure their child of more serious physical or cognitive conditions. Most of all, I'm hopeful that Violet will grow up to be as happy as she is today.

My brother and sister-in-law are both civil engineers, and have already moved on to viewing Violet's situation as a problem to manage. I think their approach is absolutely correct. Violet's deafness is a challenge, not a tragedy. Violet is a happy, outgoing girl who is doing quite well despite her lack of hearing. Certainly Violet is going to face a lot of obstacles, as will her parents and sister. I have every confidence all of them will not only overcome these obstacles, but thrive in spite of them.

Violet loves her Christmas toys, but loves her
gift box even more.

Violet takes a moment away from cooking lunch for 
Grandpa and Grandma to flirt with the camera.


AFTERWORD:  There are many worthy charities out there. But, if you want to donate to charities devoted to research about and support for victims of birth defects, please consider making a donation to one of these organizations:


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* Names of my family members have all been changed to protect their privacy.

December 24, 2011

Online Poker Legalization Will Ultimately Be a State by State Fight

"All politics is local."

~Former House Speaker Thomas P. "Tip" O'Neill

Earlier today I discussed the reasons why online poker isn't legal despite the DOJ's recent formal opinion stating that the Wire Act applies only to sports-related gambling. Essentially, because poker, like all gambling, is regulated at the state level, the DOJ's position regarding the Wire Act ultimately has little direct effect on the legality of online poker. An important corollary to this point is that the online poker legalization battle will have to be fought and won in each individual state.

I know poker players and the PPA are focused (correctly) on federal legislation to legalize online poker. Technically, Congress could use its Commerce Clause power to preempt state gambling laws and impose a national online poker system. Given that gambling issues are traditionally the province of the individual states, and given the lack of national consensus as to legalization of online gambling, a sweeping federal plan is a complete non-starter.

The best result poker players can hope for on a federal level is legislation permitting online poker on a national basis, while allowing individual states to choose whether to participate in the system. An "opt-out" system (where states are included in the system unless they specifically choose not to participate) is superior to a federal "opt-in" system (where states must affirmatively choose to join the system). For any controversial issue, it is politically easiest to maintain the status quo, as political change requires affirmative use of political muscle. So, an opt-out system is almost certain to bring many states into a federal system which otherwise would lack the political will to affirmatively join under an opt-in system (as of now, Nevada, California, New Jersey, Florida*, and Iowa are the only states which have actively explored legalizing online poker).

If federal legislation fails, then individual states will likely begin to legalize online poker on an intra-state basis. As I have discussed previously, it is likely states will adopt some type of reciprocity system to permit players from states where online poker is legal to play against players from other states with similar online poker regulations. Consortiums like this would improve liquidity and create synergy for all participating states, leading to increased numbers of players (and greater rake and tax receipts). It's also possible, even probable, that as states become comfortable with security issues, foreign players from countries where online poker is legal would be permitted to play as well (though there likely would be some tax and money transfer issues to work out on a federal level first).

The most important point to remember, however, is that whether online poker legalization occurs at the federal or state level, the online poker legalization process is controlled by each of the 50 state legislatures. The legalization process will be easy in some states. But in many states, online poker advocates will have to engage in a political battle against a variety of opponents. Obviously, the usual groups opposed to gambling on moral and social grounds will be vocal. In some states, local or tribal casino interests fearing loss of revenues may oppose online poker, and may have the money and political clout to prevent legalization. There will certainly be a few states where opportunistic politicians will shanghai the online poker issue to strong-arm political concessions for completely unrelated issues.

Make no mistake about it, the online poker legalization fight will be a long and messy process. Regardless of whether a federal or state level system develops, it's entirely possible that online poker may not be uniformly available in all of the states for several years, possibly even a decade. Professional players willing to relocate will likely be able to find a state where they can play legally within a year or so. Unfortunately, many recreational players will not have that option, and will be left to the whims of their state political process.

It's time for poker players to get to know their state legislators.

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* ADDENDUM (26 December 2011):  Edited to add Florida to the list of states which have actively explored legalizing online poker. I was inspired to go back over my post by a thoughtful discussion of the DOJ opinion posted today by Shamus at Hard-Boiled Poker. Just more evidence my memory isn't what it used to be!

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